It’s kind of a big deal when a new Doctor comes around. As far as most viewers are concerned, it’s only happened twice so far: Eccleston to Tennant, and Tennant to Smith. That’s not to belittle the importance of the older Doctors from before the 2005 series, it’s just a fact of the show with its current level of popularity. So for many of them, the upcoming season 8 premiere will be their first time seeing a new actor in the role without the benefit of hindsight that they have when looking back at Eccleston or Tennant. Naturally, it’s an exciting time in the Doctor Who fandom, and hopes are riding high on Capaldi’s performance dealing with what some perceive to be the problems plaguing the show as of late. So, you might ask, what does a change like this mean?

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I think everyone’s familiar with the Star Wars prequels, and how universally panned they are. There are a lot of reasons: bad writing, bad acting, pushing the limits of CGI and greenscreen way past where the early 2000s could realistically support them… but not all of the problems are so easy to explain. Some of them aren’t limited to just Star Wars, but rather common afflictions of all (or at least most) prequels. So today we’re going to examine the concept of the prequel, as one of the inevitable ramifications of the rampant efforts towards franchise creation over the last 20 years, and look at just where they often go wrong.

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Could the NX-02, Columbia, have appeared again in Enterprise season 5?

With all this talk of cancellation, I thought it might be interesting to go back to some of those shows that were struck down in their prime, to see just what we all missed out on. One of the most well-documented cases is that of Star Trek: Enterprise season 5, which the former producers have been quite open about discussing. While some people hold out hope that Enterprise might be revived on Netflix, the reality is that as long as the movies are going, there’s no chance, and even if it was to somehow return, they’d likely have to come up with some new ideas (preferably ones that avoid the problems with prequels). Given this, let’s take a look at the fifth season we might have seen, in some alternate universe where networks in 2005 understood the concept of DVRs. Read more

Defiance is often touted as a one-of-a-kind, groundbreaking multimedia franchise, the first time that a video game and a television series have been so closely tied together. But most fans of the show aren’t aware that a TV series tied in to a video game has been done before. And, of course, where better for such an experiment in cross-media storytelling to take place than Japan? Just over a decade ago, the .Hack// franchise emerged, all at once, across every form of popular Japanese media available. And while it probably wasn’t the first, it’s one of the best examples I know of where it began in multiple, connected forms instead of spreading out. Read more

As a character-focused episode, the events of Defiance‘s Season 2 Episode 5, “Putting the Damage On,” give us an interesting glimpse into the psyches of three of the main characters. Since this is likely to have big ramifications moving forward, I thought it’d be interesting to take a look at just what these revelations mean for each of them.

Spoilers for episode 5, if that’s not already obvious.

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Watching Star Trek TNG as a kid, one of the things that I always wondered about was why an upstanding, philosophical guy like Picard would ever want to run around in the 1940s noir-style world of Dixon Hill in his free time. It just didn’t seem like the kind of thing that would appeal to him, and yet it’s one of the few moments in the entire series where we see Picard earnestly having fun. But now, having read some of the most famous books of that time, I think I understand why.

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With the recent news that Stargate will be rebooting into a new trilogy of films, I thought it might be the right time to take a step back and look at the abundance of reboots and remakes we’re seeing of late. It’s been a problem with the film industry for some time, but the expensive nature of the sci-fi blockbuster means that as a fandom, we’re far more likely to have to deal with this problem than your average cinephile. Stargate just happens to be the perfect lens through which to examine the issue. Read more