Last month, I decided to introduce the new “Obscure SF Primer” instead of doing a “What Could Have Been“; I had one planned, but ran into a snag with the research and had to delay it. So this month, we’ll be getting back to the regular pattern by picking up where both left off–a look at what Charlie Jade season 2, the focus of that first Obscure SF Primer, might have contained.

Spoilers for Charlie Jade‘s first season, obviously. Read more

Last month, I kicked off our newest recurring segment, the Obscure Sci-Fi Primer, with Charlie Jade. The idea behind the segment is to introduce binge-watching sci-fi fans to shows they might never have heard of otherwise, be it because they were produced outside the US, one-season wonders, or just quietly performing in syndication for years alongside the heavy hitters. As such, our topic for this month is Space: Above and Beyond, a 1995 series that lasted for one season, ranking among the multitude of sci-fi shows that Fox canceled before Firefly was even a gleam in Joss Whedon’s eye. Space: Above and Beyond is a military sci-fi series that follows a squadron of United States Marines called the “Wildcards,” who are serving in the war against an alien species known as the Chigs. First contact, needless to say, went badly, as they start off by destroying humanity’s only extrasolar colonies. Read more

So last week I discussed what makes a show capable of producing spinoffs that succeed independently, and a big part of that was the parent show having an open premise. Star Trek was simply about the exploration of space, while Battlestar Galactica was narrowly focused on the story of human survival after the end. The fact that it’s set in space is almost incidental most of the time. But there has to be another aspect to it. After all, Lost in Space and Space 1999 were contemporaries of Star Trek TOS with similarly open premises and yet they’re all but forgotten by comparison. So what else is there?

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Media franchises are a ubiquitous thing these days. It’s rare to see a Hollywood blockbuster that isn’t part of an established franchise already, and even then a lot of them are transformed into franchises after their success (see Pacific Rim for an example of that). But there’s a big problem in that kind of a thought process, and it’s that not everything that’s successful is well-suited for transformation into a full-fledged franchise. Here, we’re going to look at a few examples of shows and films that evolved into franchises and try to look at why some succeeded and others failed. What better way to start off than by continuing the comparisons of Star Trek versus Battlestar Galactica?

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We’re trying a new column this week, with the goal of introducing some of the lesser known sci-fi TV series to a wider audience who might be looking for new shows after binging on more popular works like Star Trek or Battlestar Galactica. As such, my intent is to do these with as few spoilers as possible, while still addressing the main points of interest. We’ll be starting off by looking at Charlie Jade, a 2005 television series that was filmed and set in South Africa, lasting only one season. For this, I’m going to use a rating system, where a 5 represents must-see, 4 is good, solid television, 3 is “cult classic” stage, where the show’s appeal is likely limited to a specific group, 2 is flawed, but fun, or even “so bad it’s good,” and a 1 is avoid at all costs.

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two weeks ago, when exploring the idea of the “anti-Trek,” I mentioned that I feel the lack of space-based TV shows in recent years can be attributed to the reimagined Battlestar Galactica. But the truth is, of course, not so simple, and the path to BSG has its roots in reality. We can point it down almost to the day: September 11, 2001.

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It’s been an interesting run of Doctor Who this year, to put it delicately. This was the first time we’ve not had a ridiculously long break right in the middle of the season, for example. We’ve also tacked away from the overly convoluted arc-based storytelling of series 6 and the stand-alone blockbuster style of series 7, settling for a more moderate approach with some serialization and some stand-alone, with two-parters and longer episodes where needed. That’s on top of a new Doctor, a retooled companion and a radical shift in tone. So how did all this add up?

Spoilers throughout the season ahead.

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There’s no denying that Star Trek is a massive cultural force in America and throughout the world. It’s become almost synonymous with sci-fi, and the pop culture image of the nerd or geek stereotype is inevitably a young man with some kind of Trek paraphernalia on him. So it’s no shock that, as time went on, people would try to draw attention to their own works by comparing them to Star Trek. And thus emerges this idea of “the Anti-Trek,” a nebulous descriptor if ever there was one. It’s a term that’s been applied from shows as varied as Blake’s 7 in the 70’s to Farscape to the reimagined Battlestar Galactica. To figure out just what this means, and establish what traits an “Anti-Trek” must possess, we’ll have to examine the show itself and what each series is comparing to.

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It’s been exactly 4 years since Syfy announced that Caprica, a Battlestar Galactica prequel series, was canceled. It was a show that ran alongside Stargate Universe, which suffered a similar fate. The show’s ratings struggled, but one has to wonder just how much of it was caused by the quality of these shows, and how much of it was caused by putting basic cable genre shows up against the broadcast networks’ primetime lineups in the fall. Defiance has managed to hang on, and most other Syfy shows have done well in that same summer premiere, when there’s less competition for viewers. And incidentally, Defiance features the same showrunner, Kevin Murphy, that Caprica had. The shows even have similar themes, featuring lots of gay characters (along with many other sexualities too, and even a rare mostly-positive portrayal of polyamory) and both explore wholly created cultures in a sci-fi setting. But be it because it was too soap opera-esque, or because it had a tough timeslot, or just a general lack of interest in the background of that world, Caprica was canceled only halfway through its first season. Still, there were plans set up for the future already, and Kevin Murphy has been open with fans about what they were. So let’s get ready to explore the world of Caprica season 2.

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I’ve talked a lot here about franchises, the advantages that they offer to fans and the reasons they are so appealing to the studios. But the reality of the franchise phenomenon has a lot of downsides, too, and as the size of moviegoing audiences shrinks and the number of live TV viewers dwindles, these downsides have only become more prevalent. Today, let’s delve into the dark side of franchises, and explore why giant franchises aren’t always a good thing.

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