Crime is a fact of life in any civilization (well, almost), be it a wretched hive of scum and villainy or the upstanding Federation. And where there’s crime, there’s laws preventing it and punishments for breaking those laws. But with all this futuristic technology at our disposal, surely we can come up with something a little more interesting than steel bars and heavy fines, right? So here are 4 ways to deal with the convicts of the future, ensuring that they serve out their time… although whether these forms of sci-fi punishment are actually worse than rotting in a jail cell today is up for debate.
So you’ve got some very big dreams of destruction to fulfill, and shopping around for Death Stars is a little bit tricky. I mean, there aren’t many manufacturers, and there’s sort of a de facto monopoly on who gets to own one… it’s hard for your average Joe Supervillain to get his hands on the kind of weapon. And hey, we might be mad scientists, but that doesn’t mean we’re all mad inventors, right? But fear not, my ambitious world-conquering friend. Superweapons are actually a lot easier to come by than you’ve probably been led to believe. Giant lasers aren’t the be-all, end-all of earth shattering kabooms. So here are 4 sci-fi technologies you might not have realized double as great superweapons (in order of difficulty to obtain, not destructive force).
When it comes to TV, things are always at risk of getting stale; if a series has a twenty episode season, for example, then a savvy viewer might realize that the lead actor’s character won’t die in episode 10. Characters rarely die at all, in fact, and permanent injuries mean permanent makeup (just ask Coulson how long he went one-handed). Even sets are rarely destroyed, since so much money goes into building them; with so little seemingly at stake (usually), it can be easy for the audience to stop seeing the enemies as threatening. How can you show the danger posed by our enemies without upsetting the status quo? Enter sci-fi’s favorite trick, the parallel universe/alternate timeline, where events and circumstances differ from the primary setting of the show in specific ways. By using these familiar-yet-strange settings, the writers can explore facets of the characters and the world in which they live that would usually be unavailable: how they might react to the destruction of their home, or the death of a critical character. Better still, since this alternate world is only around for an episode or two, massive changes to the status quo can be made, giving the writers a chance to explore apocalyptic themes that are usually out of reach.
What? No, it’s an utter coincidence I’m writing about apocalypses the same week as the election…
Since the dawn of spaceflight, mankind has been stalled by the limiting factor that is the speed of light. But no longer–with the advent of Faster-Than-Light (FTL) travel, the entire galaxy is now our backyard. The idea of visiting other worlds, perhaps to seek out new life and new civilizations, going boldly where no one has gone before… it’s very appealing, isn’t it? And it’s finally a reality, so you might be tempted; Earth is boring and well explored, after all, and no new intelligent species are likely to be popping up any time soon. But before you sign up to join the space exploration agency of your choice, consider all the ways this FTL trip could go horribly, horribly wrong. Warp drives, Jump drives, or Hyperspace, they all have their problems, and here are 4 of the biggest dangers of FTL travel.
One of the unique things about TV is that is often has a long development process, but once something is committed to film, it’s almost certainly set in stone, so to speak. The first episode is almost always the pilot–that first proof-of-concept episode that’s made to sell the network on the idea. There are also spinoffs, which often get a strong upfront order based on the power of the parent show’s name alone (Like Star Trek Voyager, or Doctor Who‘s new spinoff, Class).
But some shows end up taking a rather roundabout approach to get to air; an online video, or a testbed short film is shown to the public without commitments. Viewers react positively, and boom! A show is born. Here are 4 shows that followed an unusual path through the development pipeline, and the 4 earliest SF prototypes that led to their creation.