So you’ve got some very big dreams of destruction to fulfill, and shopping around for Death Stars is a little bit tricky. I mean, there aren’t many manufacturers, and there’s sort of a de facto monopoly on who gets to own one… it’s hard for your average Joe Supervillain to get his hands on the kind of weapon. And hey, we might be mad scientists, but that doesn’t mean we’re all mad inventors, right? But fear not, my ambitious world-conquering friend. Superweapons are actually a lot easier to come by than you’ve probably been led to believe. Giant lasers aren’t the be-all, end-all of earth shattering kabooms. So here are 4 sci-fi technologies you might not have realized double as great superweapons (in order of difficulty to obtain, not destructive force).

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Evil empires are a sci-fi staple, and every evil empire is going to have its own sci-fi rebellions to deal with. The only problem? Well, the bad guys are way better organized and equipped. This isn’t an insurmountable obstacle, but for some of the resistance movements out there, it may as well be. Not every Rebellion has the Force on their side, after all, and some of them can barely agree that they’re all on the same side. When you add infighting, tactical missteps, and poor planning to the mix, it’s a miracle they ever even accomplish anything at all. With that in mind, here are 4 of the least effective rebel groups ever to show up in sci-fi.

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A few weeks ago, we looked at four of the biggest shake-ups to the status quo; for better or worse in-universe, things were never quite the same after those moments, even though it was almost always for the best from a narrative perspective. History has these kinds of days, too, and September 11th, 2001 was one of those moments for the real world (and indirectly, for our fiction as well). So this week, in honor of that, we’re going to turn to the sadder side of things, looking at 4 of the big tragedies that turned these sci-fi universes into the worlds we know and love. These things can disrupt the status quo, like the Wolf 359 example from before, but they don’t have to; often, they’re backstory elements that explain why the universe on screen is different from ours, or they occur in the first episode. And much like how tragedies can shape the course of the future in real life, so too are fictional worlds shaped.

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Did you know that across the multiverse, the number one reason Mankind gets destroyed before expanding into space is robotic rebellions? It’s true! Maybe… okay, fine, but it’s definitely up there on the list. People like to think we’ve got this one figured out already–Asimov’s three laws of robotics, for example. What they generally fail to remember is that Asimov’s stories are all about why the three laws approach is a flawed one. Sure, they’re a good starting point, but you’re going to need more than that if it you want to be completely sure that these AI servants don’t become AI overlords.

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When it comes to starships, bigger is better–or so sci-fi would lead us to believe, anyway. This is most evident when it comes to movies, which often use the spectacle of a massive ship to help convey the true scale of the danger our heroes face. And these massive starships in movies are almost always under the command of the bad guys–Star Wars has The Death Star, Star Trek had the Narada, Independence Day and its alien mothership… It’s rare to see the good guys with anything that can compare.

This tends to show up less for TV series than movies; budget is a big reason why, but that doesn’t mean it never happens, and it tends to have a lot of impact when it does. After all, if you’re used to the Enterprise-D being the big ship on the block, seeing it completely dwarfed by a Borg cube for the first time is appropriately awe-inspiring. It also tends to be a result of the series running for a long time; SG-1‘s Goa’uld Hatak-class motherships are pretty big, but the Ori motherships are significantly bigger, and the Wraith Super-Hive ship from Stargate Atlantis is bigger still.

Regardless of their origins, the real reason for having enormous starships is obvious: they’re just so cool! So here are 4 of the biggest starships I’ve been able to find on TV. And keep in mind–it’s starships, so they gotta be able to move. Deep Space 9, Babylon 5, etc. are stations and thus not applicable to this list.

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When you put together your starship’s crew, there are certain roles you just know you gotta fill. You got the captain, who leads the crew for better or worse; you got the science guy (the brains), who tells you what the weird anomaly that’s about to destroy the ship is doing; and you got your tough guy (the brawn), whose job is to look intimidating and kick the bad guys’ asses. You can have more, of course, but you just have to have these three at minimum. Being the captain is pretty sweet, and the science guy is living his dream, seeing all these rare and unknown phenomena. The problem with being the tough guy is that, well… when the new bad guys come to your corner of the galaxy, they tend to play by prison rules, which means they’re coming to kick your ass first. This happens to poor Worf so many times that he’s become the poster child of this sequence of events, what TVTropes calls “The Worf Effect.” The Borg, The Jem Hadar, random androids… Worf faced them all, and got tossed aside as a result.

But once in a while, it’s time for the Tough Guy to prove why we call him the tough guy and regain the respect he deserves. In honor of Defiance‘s Omec problem, here are 4 moments when they managed to do just that, and look awesome doing it.

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The theme around here of late has been all about the actors behind our favorite characters–or sometimes the smaller characters, who are important nonetheless. When it comes to casting in a shared universe, sometimes it turns out the best man or woman for the job might look a little… familiar. You go back and look, and yep, they’ve already had a part somewhere in there! Sometimes this results in a reworking of the plot, changing the new character to be the same as the old, like Stargate Atlantis did with David Hewlett’s Rodney McKay. Other times, there’s a little joke where the resemblance is brought up, or the problem is ignored altogether. So here are 4 cases where the actor or actress previously showed up in a small part before breaking through to the main cast, and how the show dealt with it.

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It’s not uncommon, especially in sci-fi shows, to see the same actors cropping up from program to program. Many of the shows are shot in the same area, often at the same time in different parts of the city (usually Vancouver), so it’s not terribly uncommon to see actors from one show with small roles on another. This goes double for actors from shows that have ended, and that tends to lead to some odd trends emerging. Here are four strange casting situations that arose from all these shows and movies drawing from the same actor pool.

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He knows his luck.

One of the more unique aspects of sci-fi television series is that it often presents us with non-human characters, which are used in a variety of fashions to help bring the world of the show to life. The only problem is that the majority of these non-human characters are played by human actors (the rest being CGI or puppetry), and that means heavy makeup and prosthetics. Some, like Christopher Judge’s makeup for Teal’c, is quite simple and unobtrusive. Others, like Michael Dorn, not so much; his forehead now has permanent discoloration from wearing the Worf prosthetic for nearly fifteen years. And yet, there are still people in shorter roles that suffered far greater for their art. Here are 4 of the longest, most difficult, or most painful costumes seen on television.

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Sometimes writers make missteps in their shows. They make a move, be it killing off a character, or retooling the show, or what have you, that enrages the fans. A lot of the time, this will kill the show, but not always. If not, the writers will backpedal, returning things to the way they were in the hopes of maintaining the show a little longer. But once in a while that misstep just happens to be right at the end, when the show was scheduled to finish anyway, and there’s no chance to correct it. And when that happens, the lackluster finale can be enough to, in retrospect, ruin the entire experience of watching the show. That’s what happened with these four, finales and final seasons that so radically changed what we knew about the work that it’s no longer enjoyable. This is a highly subjective thing, so I’m sure that plenty of people will disagree with my list, but all I can do is describe it from my perspective.

With that said, here we go. Naturally, it’s nothing but spoilers past this point.

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