It’s February, and that means it’s the season of love. Apparently. And while romantic relationships between characters are ubiquitous in Hollywood movies and TV series, some of them are better at establishing these relationships than others. Because after all, it’s not enough to just have your characters jump each others’ bones. There’s gotta be some development, hints and feelings and dashed hopes, all leading up to the big hook-up. Sometimes they just say screw it, and that’s how we end up with these, 4 of the least developed relationships in sci-fi’s small screen history.

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Time for another new experiment here at RetroPhaseShift. I’m going to take a whack at disassembling some of the overly common tropes in sci-fi (or dare I say it–cliches). For our first entry, we’re going to go with the crazy robot/AI trope, looking at where it came from, how it has effected the genre in the time since, and possibly even its effects on the real world. Let’s get into the teardown, shall we?

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“What’s coming?”
“The news roundup. Duh.”

Lots of news this week, which we can mostly thank the Super Bowl for. Tons of summer movies will release their first trailers and begin their marketing pushes during one of the few remaining events to draw massive audiences on mainstream TV. Is that a good reason to finally care about this sporting event? We’re also starting to hear about upcoming sci-fi projects and networks are beginning to send out feelers for fall shows. What more can you really ask for in your sci-fi news?

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Continuing from where we left off last week, I take a step over to Japan’s animation industry for anime sci-fi films that are every bit as amazing as the best live action has to offer. Akira, Ghost in the Shell, Gundam–these are classics, but here I want to share some more recent films that aren’t as ubiquitous. With that in mind, I’ve gathered 4 SF anime films that are totally worth a watch, even to those who aren’t usually into anime.

FYI, this is one of those lists where order doesn’t really matter.

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The Terminator franchise has always been a bit scattered, to say the least. Each new installment tends to take what it wants from what came before, and ignore the rest, something that it was uniquely capable of due to the mechanics of time travel it used. Terminator: The Sarah Connor Chronicles was one of these, drawing from the first two films while ignoring all but a few select points (like Sarah’s cancer) from the third. It also ended up in the particularly strange situation of having a film come out during its run that subsequently ignored its continuity AND most of Terminator 3‘s. The show actually got off to a great start, with high ratings and critical praise, until it had the bad luck of getting caught up in the 2008 Writer’s Strike. The first season was abbreviated, but fans were reassured that it would return for season 2. And it did, but without Fox’s confidence this time. Finding itself in the Friday Night Death Slot after the mid-season hiatus, it languished there until cancellation. While the showrunner, Josh Friedman, has absolutely refused to give any clues as to how the show would’ve ended or where it would have gone after that agonizing cliffhanger it signed off with, other people involved in the show have been willing to share what they knew. From these threads, let’s piece together The Sarah Connor Chronicles season 3 that could have been.

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After discussing the natural connection between sci-fi and animation on Monday, it seemed only appropriate to give you all a head start on finding some good animated sci-fi. Sure, some of them might be kids movies, but a lot of them have a level of awareness of their periphery demographic among older sci-fi fans that might just leave you surprised.

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One of the things that I, for whatever reason, rarely get around to talking about here is animation. When I recently highlighted the fact that some of those alien costumes and makeup application processes used in live action series can be brutal, I made sure to point out that one of the few exceptions to the “TV aliens must be human-like” is if CGI is used to create the alien from scratch. Which does, of course, bring up the question: why don’t we see more science fiction told exclusively through animation? Read more

This week in tv and film sci-fi, we’ve got weird crossovers, the usual amount of Marvel material, new trailers and a fan push to bring back old favorites. Let’s not waste any time; on to the news roundup!

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It’s not uncommon, especially in sci-fi shows, to see the same actors cropping up from program to program. Many of the shows are shot in the same area, often at the same time in different parts of the city (usually Vancouver), so it’s not terribly uncommon to see actors from one show with small roles on another. This goes double for actors from shows that have ended, and that tends to lead to some odd trends emerging. Here are four strange casting situations that arose from all these shows and movies drawing from the same actor pool.

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This month, the Subjectively Obscure Sci-Fi Primer returns to the cyberpunk side of things with Total Recall 2070. Don’t be fooled by the title, as it has practically nothing to do with the similarly-named Schwarzenegger film; it’s more of a separate (if not particularly accurate) adaptation of the same Phillip K. Dick story, “We Can Remember It For You Wholesale,” although it’s so different that the author isn’t mentioned in the credits at all. Produced in Canada, it originally aired in the US on Showtime alongside Stargate SG-1, before that show jumped networks. Showtime really had a thing for turning movies into series that had very little in common with the original film, apparently. As is typical for these obscure shows, it managed only one season, but what’s there is worth a look. It’s like Almost Human, if Almost Human didn’t hate itself for being sci-fi. Read more