Evil empires are a sci-fi staple, and every evil empire is going to have its own sci-fi rebellions to deal with. The only problem? Well, the bad guys are way better organized and equipped. This isn’t an insurmountable obstacle, but for some of the resistance movements out there, it may as well be. Not every Rebellion has the Force on their side, after all, and some of them can barely agree that they’re all on the same side. When you add infighting, tactical missteps, and poor planning to the mix, it’s a miracle they ever even accomplish anything at all. With that in mind, here are 4 of the least effective rebel groups ever to show up in sci-fi.

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When it comes to starships, bigger is better–or so sci-fi would lead us to believe, anyway. This is most evident when it comes to movies, which often use the spectacle of a massive ship to help convey the true scale of the danger our heroes face. And these massive starships in movies are almost always under the command of the bad guys–Star Wars has The Death Star, Star Trek had the Narada, Independence Day and its alien mothership… It’s rare to see the good guys with anything that can compare.

This tends to show up less for TV series than movies; budget is a big reason why, but that doesn’t mean it never happens, and it tends to have a lot of impact when it does. After all, if you’re used to the Enterprise-D being the big ship on the block, seeing it completely dwarfed by a Borg cube for the first time is appropriately awe-inspiring. It also tends to be a result of the series running for a long time; SG-1‘s Goa’uld Hatak-class motherships are pretty big, but the Ori motherships are significantly bigger, and the Wraith Super-Hive ship from Stargate Atlantis is bigger still.

Regardless of their origins, the real reason for having enormous starships is obvious: they’re just so cool! So here are 4 of the biggest starships I’ve been able to find on TV. And keep in mind–it’s starships, so they gotta be able to move. Deep Space 9, Babylon 5, etc. are stations and thus not applicable to this list.

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One of the things that TV-based sci-fi often gets ragged on for is that the aliens tend to look suspiciously like ordinary humans. Sure, they might have cranial ridges (bumpy foreheads), or extra fingers/less fingers, or maybe even extra eyes or tails. But they’re still two arms, two legs, one head, approximately 5-7 feet tall. This is definitely a limitation of the medium, and there’s no arguing against it. Even as CGI gets cheaper and more realistic, it’s still far too expensive to use as extensively as most viewers and writers would like.

But those restrictions only stand on alien characters or species that have to show up often. When it’s an alien that only has to appear once or twice, however… the sky’s the limit, as these 4 bizarre alien species prove.

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Are you planning on building a time machine? Or maybe you’re just trying to figure out what to do with the one you’ve already got? Well, you’ve come to the right place, my friend. I have here four of the big mistakes that new time travelers make early in their careers. If you don’t want to return home to a future of Nazi Zombies from Space, or even just get back, excited to share your invention, only to find that no one remembers who you are, then you better read over these sci-fi missteps first.

And for the love of all that exists, DON’T EVEN GO NEAR HITLER!

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The theme around here of late has been all about the actors behind our favorite characters–or sometimes the smaller characters, who are important nonetheless. When it comes to casting in a shared universe, sometimes it turns out the best man or woman for the job might look a little… familiar. You go back and look, and yep, they’ve already had a part somewhere in there! Sometimes this results in a reworking of the plot, changing the new character to be the same as the old, like Stargate Atlantis did with David Hewlett’s Rodney McKay. Other times, there’s a little joke where the resemblance is brought up, or the problem is ignored altogether. So here are 4 cases where the actor or actress previously showed up in a small part before breaking through to the main cast, and how the show dealt with it.

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In the past, we’ve talked about some weird casting situations, where patterns emerged or unusual relationships between characters and actors (or even whole franchises) appeared. Most of those involved the big names of the show’s cast, the people with their names right after the opening credits. And as important as the main cast can be for a show’s success, it’s often the recurring character who help to give a show its flavor, often coming out of the shadows to emerge as fan favorites. This week, continuing on from our focus on recurring characters in the SHIELD review, we’re going to look at some of the actors whose names aren’t quite so prominently displayed, but whose work you’re probably more familiar with than you realize.

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Merchandising, as we’ve touched on before, is one of those things that makes a huge amount of money for these massive franchises. Most of the time, that’s fine, because it gives fans and kids alike figures of their favorite characters. Once in a while, they’ll take famous or popular scenes and base whole playsets and other such things off of them. And sometimes, the people making the merchandise get a little desperate for ideas. Then they turn to scenes that never, ever should’ve been made into toys. That’s how we end up with headscratching toys like these, based on 4 scenes completely inappropriate for toys.

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He knows his luck.

One of the more unique aspects of sci-fi television series is that it often presents us with non-human characters, which are used in a variety of fashions to help bring the world of the show to life. The only problem is that the majority of these non-human characters are played by human actors (the rest being CGI or puppetry), and that means heavy makeup and prosthetics. Some, like Christopher Judge’s makeup for Teal’c, is quite simple and unobtrusive. Others, like Michael Dorn, not so much; his forehead now has permanent discoloration from wearing the Worf prosthetic for nearly fifteen years. And yet, there are still people in shorter roles that suffered far greater for their art. Here are 4 of the longest, most difficult, or most painful costumes seen on television.

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So, after the abysmal premiere of a certain recent miniseries, people’s reactions to the various twists seemed to suggest a question was forming in the minds of sci-fi fans everywhere: why, exactly, are psychic or telekinetic powers considered to be an acceptable plot device in sci-fi? It’s certainly a divergence from most of the other tropes of sci-fi. After all, one of the ground rules that separates sci-fi from fantasy is “technical possibility.” We believe aliens could exist; we believe Artificial Intelligences are possible; traveling through the stars in massive spaceships? Well, we’re already halfway there. Sure, the execution isn’t always terribly realistic, but those are generally concessions to storytelling than deliberate breaks from reality. Star Trek‘s aliens mostly look like humans because Star Trek is a TV show and the characters have to be played by human actors (at least, until very recently with CGI). Psychic powers are the one exception that’s still often considered to be part of the sci-fi writers’ workbag–so why?

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We’ve just finished up that time of year when selling the most toys is paramount. There are a lot of shows and films, especially ones aimed at kids, that seem to exist solely to push toys on their impressionable young viewers (looking at you, Transformers. There’s definitely more to some of those price tags than meets the eye). Other shows will indulge in this on occasion as well, often at the behest of some executive, although we the audience can’t always know for sure. So, here are 4 moments in otherwise fine TV shows and films that seem to have given in to that desire to sell the merch.
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