So, after the abysmal premiere of a certain recent miniseries, people’s reactions to the various twists seemed to suggest a question was forming in the minds of sci-fi fans everywhere: why, exactly, are psychic or telekinetic powers considered to be an acceptable plot device in sci-fi? It’s certainly a divergence from most of the other tropes of sci-fi. After all, one of the ground rules that separates sci-fi from fantasy is “technical possibility.” We believe aliens could exist; we believe Artificial Intelligences are possible; traveling through the stars in massive spaceships? Well, we’re already halfway there. Sure, the execution isn’t always terribly realistic, but those are generally concessions to storytelling than deliberate breaks from reality. Star Trek‘s aliens mostly look like humans because Star Trek is a TV show and the characters have to be played by human actors (at least, until very recently with CGI). Psychic powers are the one exception that’s still often considered to be part of the sci-fi writers’ workbag–so why?

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We’ve just finished up that time of year when selling the most toys is paramount. There are a lot of shows and films, especially ones aimed at kids, that seem to exist solely to push toys on their impressionable young viewers (looking at you, Transformers. There’s definitely more to some of those price tags than meets the eye). Other shows will indulge in this on occasion as well, often at the behest of some executive, although we the audience can’t always know for sure. So, here are 4 moments in otherwise fine TV shows and films that seem to have given in to that desire to sell the merch.
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Last month, I decided to introduce the new “Obscure SF Primer” instead of doing a “What Could Have Been“; I had one planned, but ran into a snag with the research and had to delay it. So this month, we’ll be getting back to the regular pattern by picking up where both left off–a look at what Charlie Jade season 2, the focus of that first Obscure SF Primer, might have contained.

Spoilers for Charlie Jade‘s first season, obviously. Read more

Sci-fi shows tend to be set in a time and place very far from modern day Earth, which means that their stories don’t always have to respond to recent events or even the time of year, like some shows do. And yet some people just can’t help themselves, so when a holiday comes rolling around, they embrace it, like with Doctor Who‘s many Christmas specials over the years. The Doctor even has a new one coming up this year where it looks like he’s meeting the “actual” Santa Claus. Better get busy picking up the pieces from that Series 8 finale, Santa.

But while Doctor Who‘s Christmas specials are generally well-received (and not a great divergence from the rest of the show in tone), other series weren’t so lucky. Just try asking George Lucas about the Star Wars Holiday Special, eh? So in the spirit of the season, here are four sci-fi shows you’d never have guessed would have Christmas specials.

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Last month, I kicked off our newest recurring segment, the Obscure Sci-Fi Primer, with Charlie Jade. The idea behind the segment is to introduce binge-watching sci-fi fans to shows they might never have heard of otherwise, be it because they were produced outside the US, one-season wonders, or just quietly performing in syndication for years alongside the heavy hitters. As such, our topic for this month is Space: Above and Beyond, a 1995 series that lasted for one season, ranking among the multitude of sci-fi shows that Fox canceled before Firefly was even a gleam in Joss Whedon’s eye. Space: Above and Beyond is a military sci-fi series that follows a squadron of United States Marines called the “Wildcards,” who are serving in the war against an alien species known as the Chigs. First contact, needless to say, went badly, as they start off by destroying humanity’s only extrasolar colonies. Read more

With Hollywood producing so many remakes and reboots lately, especially with the intent of starting massive shared universes or bankable franchises, it can be easy to become jaded to the very idea of a reboot. How can a new cast and crew ever match the original work that’s so beloved? Sometimes it can, and sometimes it can’t, but it’s also worth noting that not everything that gets rebooted was originally so beloved. Once in a while, we end up with a reboot that’s actually superior to the original film or show, and that’s always cause for celebration. So here are 4 reboots that, in my opinion, far exceeded their originals.

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An amazing episode and an epic point to end on for a show that’s rocketed in quality over the course of the year. As promised, huge things are happening this week and confirmation galore as questions are finally answered, only to spawn five hundred new ones. Did someone say SUPERPOWERS?

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So last week I discussed what makes a show capable of producing spinoffs that succeed independently, and a big part of that was the parent show having an open premise. Star Trek was simply about the exploration of space, while Battlestar Galactica was narrowly focused on the story of human survival after the end. The fact that it’s set in space is almost incidental most of the time. But there has to be another aspect to it. After all, Lost in Space and Space 1999 were contemporaries of Star Trek TOS with similarly open premises and yet they’re all but forgotten by comparison. So what else is there?

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With Agents of S.H.I.E.L.D.‘s second season almost half over, I think it’s safe to say that the show has now reached quality-TV levels, becoming a show that’s thoroughly entertaining on its own, and not just as an adjunct to the Marvel Cinematic Universe. Defiance, too, proved its worth in its second season and earning the right to a third. But I think most fans would be willing to admit that these two shows had some pretty significant problems when they started, with SHIELD having insignificant, family-friendly standalone episodes and lifeless, peppy characters, and Defiance trying too hard to emulate premium HBO shows like Game of Thrones while centering on a group of people who were almost the polar opposite of SHIELD‘s: selfish, petty and often times cruel. It’s basically the opposite problem of those shows that ruin it all in the ending, but this trip-up is a far more common one. And that’s why it’s so difficult to watch these one-season shows (like Charlie Jade) fail to move on. Usually, it takes time for a TV show to find itself, but often times they don’t get the chance. Just look at these, 4 shows with downright terrible first seasons, and imagine the awesomeness we’d have missed out on if they hadn’t been given a chance.

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It’s the leadup to the midseason finale, and you know what that means–big things are happening. The city awaits, but everyone seems to have a bad feeling about it. And if ever there’s a time in TV land to trust your gut reactions, it’s right around midseason finale time. Just ask Deathlok about last year’s.

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