Well, the day has come. I think we all knew it had to end like this; whether it was the environmental collapse, Robot Revolt, or some villain’s unexpected superweapon, the Earth’s time is up. But, hey, this isn’t the time for getting down. Just because the Earth is doomed doesn’t mean the human race has to be. And hell, what have we got left to lose by trying? Even if you and I don’t make it out, we can at least fight against the encroaching darkness by making sure that our achievements aren’t forgotten. So here’s to you, my fellow Ozymandias; perhaps one of these four choices will ensure our memory fairs a bit better than our namesake.

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Evil empires are a sci-fi staple, and every evil empire is going to have its own sci-fi rebellions to deal with. The only problem? Well, the bad guys are way better organized and equipped. This isn’t an insurmountable obstacle, but for some of the resistance movements out there, it may as well be. Not every Rebellion has the Force on their side, after all, and some of them can barely agree that they’re all on the same side. When you add infighting, tactical missteps, and poor planning to the mix, it’s a miracle they ever even accomplish anything at all. With that in mind, here are 4 of the least effective rebel groups ever to show up in sci-fi.

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Did you know that across the multiverse, the number one reason Mankind gets destroyed before expanding into space is robotic rebellions? It’s true! Maybe… okay, fine, but it’s definitely up there on the list. People like to think we’ve got this one figured out already–Asimov’s three laws of robotics, for example. What they generally fail to remember is that Asimov’s stories are all about why the three laws approach is a flawed one. Sure, they’re a good starting point, but you’re going to need more than that if it you want to be completely sure that these AI servants don’t become AI overlords.

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In the past, we’ve talked about some weird casting situations, where patterns emerged or unusual relationships between characters and actors (or even whole franchises) appeared. Most of those involved the big names of the show’s cast, the people with their names right after the opening credits. And as important as the main cast can be for a show’s success, it’s often the recurring character who help to give a show its flavor, often coming out of the shadows to emerge as fan favorites. This week, continuing on from our focus on recurring characters in the SHIELD review, we’re going to look at some of the actors whose names aren’t quite so prominently displayed, but whose work you’re probably more familiar with than you realize.

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Ever heard of “Six Degrees of Kevin Bacon?” It’s a little game people like to play with celebrities, based on the idea that you can get from any one actor to another (typically the aforementioned Kevin Bacon) by naming someone who was in a movie with another actor, who starred alongside a third in a different movie, and so on, until you make it to an actor who appeared on screen with Kevin Bacon. Today’s Friday Four (well, six, this week) is going to engage in some fun trivia by pulling the sci-fi version of this–counting each jump from universe to universe, how many jumps away are some of the biggest Sci-Fi heroes from each other? Let’s find out!

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It’s a sad weekend for sci-fi fans. Leonard Nimoy has passed away, making him the third member of the Star Trek TOS cast to be lost after DeForest Kelley and James Doohan. His character of Spock has meant a great deal to me, and likely to you as well. He’s become a pop culture icon, one of the few figures to transcend genre and possess an almost universal popularity, due in no small part to Nimoy’s talents and contributions. And as we the fans mourn, let’s not forget the loved ones he left behind.

Still, there’s other news out there. So let’s continue on, heavy hearts or otherwise.

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Time for another new experiment here at RetroPhaseShift. I’m going to take a whack at disassembling some of the overly common tropes in sci-fi (or dare I say it–cliches). For our first entry, we’re going to go with the crazy robot/AI trope, looking at where it came from, how it has effected the genre in the time since, and possibly even its effects on the real world. Let’s get into the teardown, shall we?

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The Terminator franchise has always been a bit scattered, to say the least. Each new installment tends to take what it wants from what came before, and ignore the rest, something that it was uniquely capable of due to the mechanics of time travel it used. Terminator: The Sarah Connor Chronicles was one of these, drawing from the first two films while ignoring all but a few select points (like Sarah’s cancer) from the third. It also ended up in the particularly strange situation of having a film come out during its run that subsequently ignored its continuity AND most of Terminator 3‘s. The show actually got off to a great start, with high ratings and critical praise, until it had the bad luck of getting caught up in the 2008 Writer’s Strike. The first season was abbreviated, but fans were reassured that it would return for season 2. And it did, but without Fox’s confidence this time. Finding itself in the Friday Night Death Slot after the mid-season hiatus, it languished there until cancellation. While the showrunner, Josh Friedman, has absolutely refused to give any clues as to how the show would’ve ended or where it would have gone after that agonizing cliffhanger it signed off with, other people involved in the show have been willing to share what they knew. From these threads, let’s piece together The Sarah Connor Chronicles season 3 that could have been.

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As a television viewer, odds are you’ve had a show you enjoyed canceled prematurely. Sometimes this is okay; the last episode of Almost Human is probably the best ending it could have realistically asked for. But other times, especially for shows that had orders for a full season upfront, the producers were fairly confident they’d get renewed, and chose to end their season finale with a cliffhanger (like the rebooted V). And then, for whatever reason, the show wasn’t renewed, and… oops. Fans are left with a finale that placed their favorite characters in a trap of unavoidable death, the bad guy in command of the starship, or with hundreds of killer robots surrounding their base, giving a nasty implication about the fate of the heroes and their world. So this week, we’re going to countdown some of the most aggravating unresolved cliffhangers in sci-fi TV history. (Obvious spoilers ahead.) Read more