With Agents of S.H.I.E.L.D.‘s second season almost half over, I think it’s safe to say that the show has now reached quality-TV levels, becoming a show that’s thoroughly entertaining on its own, and not just as an adjunct to the Marvel Cinematic Universe. Defiance, too, proved its worth in its second season and earning the right to a third. But I think most fans would be willing to admit that these two shows had some pretty significant problems when they started, with SHIELD having insignificant, family-friendly standalone episodes and lifeless, peppy characters, and Defiance trying too hard to emulate premium HBO shows like Game of Thrones while centering on a group of people who were almost the polar opposite of SHIELD‘s: selfish, petty and often times cruel. It’s basically the opposite problem of those shows that ruin it all in the ending, but this trip-up is a far more common one. And that’s why it’s so difficult to watch these one-season shows (like Charlie Jade) fail to move on. Usually, it takes time for a TV show to find itself, but often times they don’t get the chance. Just look at these, 4 shows with downright terrible first seasons, and imagine the awesomeness we’d have missed out on if they hadn’t been given a chance.

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It’s the leadup to the midseason finale, and you know what that means–big things are happening. The city awaits, but everyone seems to have a bad feeling about it. And if ever there’s a time in TV land to trust your gut reactions, it’s right around midseason finale time. Just ask Deathlok about last year’s.

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Media franchises are a ubiquitous thing these days. It’s rare to see a Hollywood blockbuster that isn’t part of an established franchise already, and even then a lot of them are transformed into franchises after their success (see Pacific Rim for an example of that). But there’s a big problem in that kind of a thought process, and it’s that not everything that’s successful is well-suited for transformation into a full-fledged franchise. Here, we’re going to look at a few examples of shows and films that evolved into franchises and try to look at why some succeeded and others failed. What better way to start off than by continuing the comparisons of Star Trek versus Battlestar Galactica?

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With the news of Blade Runner 2 moving forward, with a completed script and Ridley Scott stepping back to allow another director, it’s becoming increasingly apparent that this 1982 film will finally get its sequel, whether fans want it or not. It’s never quite clear to me why studios choose to do a sequel after such a long time instead of their typical reboot MO, although this case makes more sense than some others given what a classic the original is. Given that they haven’t even started filming yet, however, it’s still a good three years away at minimum. If it’s released in 2017 (just 2 years shy of when the original was set!), that’ll mean that 35 years will have passed between the release of the first film and the sequel, which is a damn long wait for the continuation of the story. But Blade Runner is far from the only film to wait over a decade for a direct sequel–just take a look at these, 4 of the longest breaks between sequels in sci-fi history.

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We’re trying a new column this week, with the goal of introducing some of the lesser known sci-fi TV series to a wider audience who might be looking for new shows after binging on more popular works like Star Trek or Battlestar Galactica. As such, my intent is to do these with as few spoilers as possible, while still addressing the main points of interest. We’ll be starting off by looking at Charlie Jade, a 2005 television series that was filmed and set in South Africa, lasting only one season. For this, I’m going to use a rating system, where a 5 represents must-see, 4 is good, solid television, 3 is “cult classic” stage, where the show’s appeal is likely limited to a specific group, 2 is flawed, but fun, or even “so bad it’s good,” and a 1 is avoid at all costs.

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Putting on a TV show is a lot of work. They have to get together as many as 26 episodes, and have them written, filmed, and edited by the time that they’re scheduled to air. There’s no flexibility here. Movie dates get moved back sometimes, but this almost never happens with television (upcoming Syfy miniseries Ascension is a rare example, having been moved back from November to December). What all this really means is that, well, they just don’t have time to make sure every script is perfect before sending it out. Sometimes, the writers just have to accept the fact that this episode is going to be crap and there’s nothing to be done about that. Other times, no one realized how bad this would be on screen until it was already too late, and they can’t just throw the footage away. Everyone just has to make it as best they can and deal with it.

That’s how we ended up with these, four episodes so bad that the creators are more than willing to admit that they screwed up. So let’s honor their honesty by taking a look at what made these episodes worth rejecting.

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Agents of SHIELD has, thus far, not delved into the bad guy’s backgrounds too much. We know Whitehall was a Nazi, and that Skye’s Dad is, well… Skye’s dad, but that’s basically it. Now, at last, we’ve taken the time to flesh out not only their backgrounds, but to a certain extent Bakshi’s as well, and the whole show benefits from it. We also have to deal with this tease that “someone’s going to die” which has been running all week. Thanks, Sweeps.

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two weeks ago, when exploring the idea of the “anti-Trek,” I mentioned that I feel the lack of space-based TV shows in recent years can be attributed to the reimagined Battlestar Galactica. But the truth is, of course, not so simple, and the path to BSG has its roots in reality. We can point it down almost to the day: September 11, 2001.

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On here, one of my most popular topics is “What Could Have Been,” where I go over the now-public plans for seasons and shows that never developed. But what about those times when these major losses were narrowly averted? Once in a while, things align just right, and looking back, it’s hard to imagine how the show could have continued without this one aspect. And yet, there were many moments of serendipity that ended up playing a huge part in these shows’ success. So today, we honor just a few of those close calls by looking at “What Almost Wasn’t,” with 4 near misses from the annals of Sci-fi history, focusing today on casting and characters.

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With Ward having escaped in the last episode, the team has their hands full. Also, Coulson’s reaching Garrett levels of alien-crazy and we really gotta do something about that. But he’s not the only one having visions of alien writing, and the others are somehow handling it even worse.

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